VCCA Visual Artist Fellows Summer Shows
Jane Waggoner Deschner draws from her collection of 50,000
vernacular photographs, primarily snapshots and studio portraits, which she
then painstakingly hand-embroiders. She traces her fascination with everyday
photographs to her own ambivalence about notions of “happy family” and
fulfillment. The work is time-consuming and meditative and produces a kind of
intimacy between her and these anonymous individuals captured by the
photographer’s lens. Deschner’s work is featured in The Embroidered Image at the Robert Mann Gallery, New York, NY. Through
August 15. www.janedeschner.com/
Following up on the
needlework theme, master printmaker Carol E. S. MacDonald’s prints take a
magnified look at the “interwoven world of knitting.” Her work is bold and
visually arresting; MacDonald takes the soft supple, medium of knitting imbues
it with a strength and power. Stitch by Stitch will be on view at Etui Fiber
Arts, Larchmont, NY through June 28. www.carolmacdonald.com/
Imbricative: Drawings by Jack Wax at VCU’s Anderson Gallery in Richmond, VA features
somewhat of a departure for Wax. A VCUarts professor, Wax is best known for his
glass sculptures. This work, inspired by imbrication, the overlapping elements
in fish scales or roof tiles, explores pattern and form. The effect is present
both the drawings themselves and in the installation of two walls from the
artist’s studio covered with a “collage” of drawings, sculptural pieces and
found objects. Through August 3. arts.vcu.edu/craft/bio/jack-wax/
Ann Quinn’s work will be featured in a three-person show, Still Places, at Claremorris Gallery, Mount St. Claremorris, Co. Mayo, Ireland. Quinn’s landscapes combine a crystalline realism with abstract passages. It creates an interesting effect and at times you can’t tell if your eyes are playing tricks on you. The works are imbued with an almostvisionary quality reminiscent of the work of 19th century British artist, Samuel Palmer. www.annquinn.org
Also in Ireland, Blinn
Jacobs will be presenting an austerely beautiful installation that transform
cheap, Five and Dime curling ribbon into an intricately woven minimalist grid at
the Dublin Biennial (June 13-22). Blinn just completed a VCCA residency this
spring in which she worked on fine-tuning the piece. www.blinnjacobs.com/
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