LaTasha N. Nevada Diggs at Headlands Center for the Arts

Poet and sound artist LaTasha N. Nevada Diggs was awarded a 2014 Fellowship in Poetry from the NEA along with a month-long residency at Headlands Center for the Arts where she will be beginning April 27. “You have no idea what this means to me given I've been in a such a mental funk,” says LaTasha. “This will provide some time away from New York to focus soundly on new and on-going work. It also grants me the opportunity to travel to a handful of places for research. So I guess the universe is saying I'm doing alright even when I don't always understand this path taken. What is clear is that many hands, eyes and spirits are holding me up and pushing me forward on this path. For that I am humbled and grateful.”

Latasha works is a hybrid of sounds and words incorporating many languages, including Japanese, Spanish, Hindi, Welsh, and Maori. Her highly acclaimed first collection of poems, TwERK (Belladonna* 2013), has been called “a dope jam of dictions” by poet Terrance Hayes. In a review of TwERK for the online literary site Montevidayo, poet Joyelle McSweeney writes: “Diggs’s poems truly work the whole body of the poem, the whole body of sound, the whole body of history, the whole body of voice and ear, the whole body of language and the ability of the page to be its own sonic syntax; they articulate and rotate joints that seemed fixed; they are bawdy and triumphant and they more than work. They TwERK.” 

A graduate of the Borough of Manhattan Community College with an MA from New York University and an MFA from California College of the Arts, LaTasha has published several chapbooks, as well as the album Television (2003). She has been a poetry editor for the online arts journal exittheapple and, with writer Greg Tate, is a founding editor of YoYo/SO4magazine. 

Diggs’s interdisciplinary work has been featured in exhibits at several New York museums, including the Whitney and the Museum of Modern Art. Her additional honors include scholarships and residencies from the New York Foundation for the Arts, Cave Canem, VCCA, the Harlem Community Arts Fund, the Jerome Foundation, the Eben Demarest Trust, Caldera Arts, Black Earth Institute, and the Barbara Deming Memorial Foundation.

Comments

Post a Comment

Popular posts from this blog

Guest Blogger: C.M. Mayo

Image
From Fellow C.M. Mayo : In the years of writing, researching, and revising my novel, T he Last Prince of the Mexican Empire (Unbridled Books, May 5, 2009), I enjoyed several  intensely productive stays at VCCA. A few sparkles:   In the corn crib studio: Drafting General Achille Bazaine's flashback scenes of 1850s Algeria, Arab music on the CD player, snow falling on the skylight. At dinner: Chatting with novelist Josephine Humphreys about archives and the influence of the dead. By the fireplace in the living room : Reading these same pages with Peter Behrens ,  reading from his novel then in-progress, The Law of Dream s. Eating potato chips with poets Sandra Beasley and Alfred Corn . Trying not to be embarrassed when Alfred (bless him) corrected my French pronunciation.   In Sweet Briar's Library : After checking e-mail, reading Virgil. Rectangles of autumn light falling on the old tables.   One sunny afternoon outside my studio by the barn:  Finding Peter Behrens,
Read more

VCCA and Sweet Briar College Enter Long-Range Planning Process

Image
After decades of informal discussions, VCCA and Sweet Briar College have decided to study the various possibilities of a permanent home for VCCA. VCCA has been leasing Mt. San Angelo from Sweet Briar since 1977. Both institutions have agreed to actively pursue a long-term solution to the current annual lease renewals. The timing is mutually beneficial in that VCCA is embarking on a new Strategic Plan, while Sweet Briar is implementing its Plan for Sustainable Excellence. The opportunities to explore include, but are not limited to, the following options: VCCA purchases the Mt. San Angelo property and remains there VCCA and SBC enter into a lease-to-purchase agreement for the Mt. San Angelo property and VCCA remains there VCCA moves to the Sweet Briar College campus VCCA moves to another non-SBC location This is a long-range planning process, one that will take place over the course of several years. VCCA Fellows, friends and supporters will be invited to share
Read more

The Auvillar Community Connection

Image
VCCA’s programming in Auvillar is greatly enriched by the Auvillar community and it's surrounding areas. This has become clear during the Etchings Festival when a number of community members welcomed guest composers, performers, and participants into their homes. Jacques and Annick Sarraut hosted a beautiful dinner for the entire Etchings Festival as well as others from the community. After a successful first concert, Joelle Cywie welcomed the Etchings guest composers, performers, and staff into her home for celebratory champagne and dessert. VCCA-France has members in the United States, Auvillar, and the surrounding communities. Many of these members support the programming by welcoming VCCA Fellows in residence or program participants into their homes for cooking demonstrations and meals, and by taking them to visit local sites during their time in Auvillar as well as attending events hosted by VCCA. The VCCA-France is currently helping to raise funds to purchase a keyboard
Read more