Grizzly Bears and VCCA Fellows in Denali National Park
There have been several
recent occurrences of a VCCA-nature in the inspiring 49th State.
Earlier this month Fellow
Eric Moe was in Denali National Park as part of their “Composing in the
Wilderness” program.
Eric’s residency
overlapped with VCCA staff member Kimberley Stiffler’s visit to the park, a
coincidence discovered by Sarah Sargent, VCCA’s Director of Communications and
Grants Management.
On July 14th
Kimberley and her husband Dan flew to Anchorage and rented a Jeep for the rainy
drive north to the park. The next morning brought blue skies and a view of Denali,
white clouds parting to reveal massive snow-capped peaks. On average only around
30% of visitors to the park see the mountain because of the ever-changing
weather.
The next day, a park bus
shuttled them to the Eielson Visitors Center to get a closer view of Denali
following a trail-less hike along the Toklat River. Two grizzly bears were
spotted from the shuttle en route. An exhibit in the Center featured a piece by
VCCA Fellow and visual artist Margo Klass of Fairbanks, a past participant in
the park’s artist-in-residence program.
On their last evening
Kimberley and Dan attended a live performance by the Denali Chamber Orchestra
as part of the Fairbanks Summer Arts Festival. The concert included “Denali for
String Orchestra” and “Teklanika”, works by two of last year’s participants in
the “Composing in the Wilderness” program. Eric Moe’s brand-new piece composed
during his stay in Denali had its world premier a few days later on July 21st
at Davis Concert Hall in Fairbanks, played by the Concert Black ensemble with Andie
Springer, violin.
Eric’s work, entitled “The
Voice of Mountain Torrents”, is scored for piccolo, violin, contrabass, and
percussion.
During the return flight
to Virginia, Kimberley finished reading VCCA Fellow Nancy Lord’s Green Alaska: Dreams from the Far Coast,
a reflection on the 1899 Harriman Alaska Expedition. Nancy writes of John Muir,
one of the expedition’s travelers: “He knew we needed such places, would always
need them [. . .] as temples for our souls.”
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