Holen Sabrina Kahn: Exploring Ethical Acts and Ideas of Individual Agency
Hailed as “One
of ten films every human rights advocate should see" by the Huffington
Post, A Quiet Inquisition had its premiere screening at
the Human Rights Watch International Film Festival at Lincoln Center in New
York last June and has been shown to great acclaim internationally on four
continents. The film, which won a Vaclav Havel Jury Award at the ONEWORLD
International Human Rights Film Festival in Prague, has just been released for
rental and VOD.
Holen studied
experimental film at the Art Institute of Chicago. All along she has also been
deeply interested in socially engaged documentary work, as well as fictional
and imaginative practices. Over time, all these things have melded
together into a kind of hybrid. In addition to a traditional film practice,
Holen also produces gallery-based film work, large-scale installations and
photography. Though she works across media, she believes that certain
qualities travel from piece to piece and that can be recognizable as hers, “The
idea is always the instigator for me. It forms the basis more than the
medium—the medium follows naturally what the idea needs to come to fruition.”
While a playful
heist film is not necessarily what you’d imagine Holen to take on as her next
project, after the seriousness of A Quiet Inquisition, she promises it will
still have a critical context. She’s looking forward to exploring a different
way of telling a political story. “I liked the idea of doing something that was
very formulaic where I could play inside the form. The film, set primarily in
London, appears from the outside to be a charismatic trope-filled heist film, but
there’s a serious discourse happening inside of it.”
Holen is enjoying the writing phase and not
worrying about the nuts and bolts of getting the film made right now. “I just have to show up, sit down, focus on
the story and write.” And fiction is providing a nice break for her too.
“Documentary is hard” she says. “I don’t mean that in a bad way, but you live
with material that is other people’s real lives in a deep way for a long time
and there are lots of questions around the relationship between the director
and the subject and the ethics involved and ideas of participation. There’s a
freedom in fiction. You can work with some really deep content, but in a way
that doesn’t ask everybody else to participate in what can be dangerous work.
The weight of that is hard to carry around.”
Holen has held
post-graduate fellowships at the Whitney Museum of American Art and Yale
University. holenkahn.com
quietinquisition.com
Comments