Yelena Akhtiorskaya: Writing and Living
Hailed as brilliant and
funny by The New York Times Yelena
Akhtiorskaya’s first novel Panic in a
Suitcase recounts two decades in the life of a Ukrainian immigrant
household living in Brighton Beach, Brooklyn.
Though
not biographical, the book parallels Yelena’s own experience. Her family
emigrated in 1992 when Yelena was just seven years old. In the
Ukraine, family members were doctors and poets; arriving on the U.S. shores,
Yelena’s educated parents were forced back to square one. Beginning the steep
assent back to the socio-economic standing they had once enjoyed, they took menial jobs; their only child,
who had been tutored at home by her grandfather, was sent to school for the
first time. It was a traumatic experience, which the family all seem to have
repressed; none of them have memories of the period.
Yelena began writing poems
in junior high school. Poetry is very much in her DNA. Her mother writes poetry
and her uncle and grandfather are both published poets. But Yelena soon
switched to writing stories. She wrote many, many stories. The one thing they
all had in common was they bore no resemblance to her life. “It took me a long
time until I got to the point where I realized I could write about my own
experience fictionalizing it as I needed,” she says.
“I’m always writing,”
explains Yelena. “Writing for me is kind of the same thing as living.” She writes
in English in longhand, which she subsequently transcribes into a computer.
Though seemingly laborious, this approach enables her to revise the work as she
goes.
Yelena has a complicated
relationship with both her birth and adopted countries. Much like her
character, Frida, she feels the pull of The Ukraine. Nowadays it’s possible for
émigrés to go back for visits and perhaps more. Yelena speaks wistfully of
Lviv, a beautiful, peaceful city. (The fighting is largely confined to Eastern
Ukraine, which has a high concentration of Russians. Odessa, where Yelena is
from and her uncle and his family still live is a leisurely, free spirited
city, which she likens to New Orleans.)
At VCCA Yelena was hard
at work on her second book. “I’m completely in the thick of it. It’s been
really hard going,” she says. “As soon as I finished the last book, I wanted to
start on the next thing. It takes about a year between when the book is bought
and when it comes out. So, I was writing like a mad woman.” In the end, she
deemed none of it useable. “I had to throw it all out—basically two years of
work. It was a very dark time.” But, Yelena is philosophical about it now,
realizing that the effort wasn’t a complete loss. “I see it’s okay because
you’re practicing and exercising muscles.”
While at VCCA for a
month, Yelena was busy filling notebooks with words that flowed out of her.
This was her first residency, but surely not her last because it certainly was
valuable: “Coming here is so incredible,” Yelena says. “Because everything
comes into focus.” That focus is sure to translate into another literary triumph for this young author.
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